"Complex Characters"

I was recently thinking about Brave New World again, and the problem that I (and many other people) had with the book: the characters. Since I finished the book, I have thought that it had zero likable characters (except Lenina, who wasn't particularly unlikeable.) However, I gave the book a pass, saying they were "complex" and "realistic." It wasn't until more recently that I realized these excuses for unlikeable characters were not really true. In fact, they were pretty boring. I didn't particularly care what happened to any of them, which made the story a bit of a slog for me, sometimes. But this made me think about a trope in stories of all kinds that I hadn't really noticed before: the "interesting and complex" character.

People often write off characters who always make the right choice as "boring" or "flat," and for the most part I think that's fair. A perfect person is unrelatable, as well as unrealistic. However, this has bred a type of character that has taken all forms of media by storm. This character is billed as someone who has both good and bad traits, but ends up essentially being a jerk who just happens to also be on the "right side" and also occasionally does something nice. These characters receive lots of praise from everyone for being "relatable" "realistic" and "complex," but why? In so many cases, a jerk tends to be just as flat and un-lifelike as a goody-goody "superman" type character. Yet somehow if a character does terrible things every one in a while, or just treats everyone terribly all the time is now free of the "unrealistic" label. I'm not sure how this school of thought came to be in the first place, but I have a good guess as to how it spread.

If someone is feeling lazy, but still wants to create a complex and interesting character, they now don't have to put the effort into giving the character quirks and personality as well as consistent behavior and realistic thoughts. Instead, they just have to make them do something jerky every once in a while, and find some way of explaining the character's "motivation," and their character is praised as being complex. 

To illustrate my point, I'll use a show that I loved when I was a kid: "Avatar: the last airbender." Those who watched the show will probably remember the character of Uncle Iroh. Now, personally I found him to be one of the more fleshed-out and vibrant characters on the show, and I would say he was quite "complex." However, he never really did anything bad, and I can't even remember his saying anything particularly mean to any of the other characters. So how does the show create a complex and lifelike character who isn't the least bit edgy or conflicted? 

This is a great example of a well-written complex character. These kinds of characters are defined as much by their own actions as they are by their relationships with other characters. They might make the right choice, but the story makes it clear that that was not the only option they considered. They have moments of vulnerability that show their struggles, and it is made clear that their actions are not effortless, but they ultimately make the right choice, or if they do slip up, they try their best to fix the damage. 

Now, I'm not saying that I have anything against "mixed bag characters." That couldn't be further from the truth. These characters can be super intriguing, and still likable despite their mistakes. However, I wish that there were more characters who tend to do the "right thing" and still manage to be complex. I also wish that characters like John, who pretend to be complex by being jerks most of the time and then occasionally not being jerks, would stop appearing in stories so often.

Comments

  1. You make a great point; it is very common to overrate characters as "complex" and "realistic" for their superficial displays of strength and weakness. There have definitely been many times where I have analyzed a character as being more relatable and interesting than they actually were, simply because of their mixed personality traits and actions. However, I don't think that this issue was (as) prominent in Brave New World as in some other examples - I do think that Bernard's insecurity/pettiness/selfishness was legitimately realistic/relatable, and I often found John's flawed behavior to be interesting, even if his authenticity and reliability were debatable. We may have overstated their merit as characters a bit in class, but I think that it was the one-dimensional nature of society and the supporting cast that let these main characters down, rather than any (significant) faults in their own identities. But yeah, I still agree that "jerk-ish" characters are oversaturated in modern media, and more organically complex characters would be a welcome change.

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  2. I completely see where you are coming from. It is all too easy to create a "complex" character that is simply a flat 'good' character doing bad things with a so called reason, and people unfortunately buy this sort of stuff. In relation to the stories we've read so far, I really think that perhaps the only character I have considered complex - and therefore related to much more than simply, "I see why XX would do that" - would be Offred from the Handmaid's Tale. She still leaned a little more towards the flat side, but she was the most transparent and relatable character we've seen so far. Now, I'm really looking forward to reading Parable of the Sower, as Kindred (one of Octavia Butler's other novels) was full of complex, truly thoughtworthy characters.

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    1. I agree that the most relatable character (for me at least) is Offred. While she tends to be more predictable, she makes choices that make sense regarding the situation. Had she started a rebellion, I maybe would have categorized her more with the characters we saw in Brave New World--it's doing the "right" thing. Rather than prioritizing her own safety, she would have prioritized that of the general population, and that wouldn't have been as realistic to me. I'm also very excited about Parable of the Sower--Kindred had some good characters whose complexities were brought out by the settings.

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  3. Complex characters are hard to represent. I'm not sure where 1984 falls in terms of complex characters. Some of the people seemed a bit boring at first, but there is some realism near the end. Winston seemed to snap and his relationship with julia broke. I'm not sure if this would fall into the fake complex or real complex but it's interesting to consider.

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  4. Great post, I agree! I do think it's really difficult to write complex characters without making them a lil bit of a jerk, but I also think using that as an excuse is just kind of lazy. Because even really nice people are complex and layered - it's super hard to be a good person all the time, and I think there's a lot of complexity to be found in that. Like you said, it's possible to be an interesting, fundamentally good person who struggles with that but still takes responsibility for their mistakes.

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  5. I definitely agree that it would be nice for characters who do the right thing to be less one dimensional. In some ways it seems like the only way authors of the books we've been reading can make their characters interesting is by trying to justify their bad actions. However I also agree having someone who does good is probably much harder to make into a complex character since most people would understand their motives completely and immediately and they probably wouldn't have much in the way of internal conflict.

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  6. That's very true. Oftentimes we see characters who are just being jerks and making bad decisions being labelled as "complex", when really they're not. I think people are worried that if the character is perfect and always does the good thing that readers would find it boring and unrealistic, but I think it is possible to be a good person and still interesting and the same time.

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  7. I agree with you. I'm all for having complex characters in books, but I think it too often manifests in the same way. I don't think a character necessarily has to be "edgy" in order to be a profound character, and I also don't think it's necessarily for them to ultimately make the wrong decision. Although in some contexts it is more realistic for them to ultimately lose, I think that sometimes it would be refreshing to see a heroic character.

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  8. I love the fact that you brought this up, because it is actually something that had been bothering me for a while. I think when reading these books about utopias/dystopias, we're so focused on the society and its flaws that we don't really care about the characters so much, they become a kind of tool to show us their surroundings. I think that's something that happens a lot in this genre, it's not just the books we've read, but that's why I like Parable of the Sower so much. The characters are the driving force of the story, and the world is just kind of happening around them.
    Also, to touch on your Avatar reference, I completely agree that Iroh is a fleshed out character and I love him, but they do give him some non-amicable traits. He used to be this super important army general in the fire nation and whatever until his son died, and that's when he became good. And I'm pretty sure that at some point he leaves Zuko alone because Zuko did something he didn't agree with, which shows a strong morality but it is questionable to leave a teenager alone in the world, I guess.
    I know this comment is kind of long but I'm on a roll and I do want to mention something else that came to mind. Megamind. That movie that came out a while ago about an evil mastermind that turns superhero. That movie has exactly what you're talking about, because they show that even the villain had good thoughts, the superman guy was actually quite selfish and spoiled, the damsel in distress was quite strong and happy on her own, and the real villain turned out to just be a guy who couldn't take a "no". So yeah, Megamind is great at complex characters.

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  9. I think that you bring up a good point. Most humans do not have profound battles between good and evil in them, rather most people are basically good. If fiction is meant to reflect something about the real world, it should likely portray more basically good characters than "complex characters." I feel like the fiction that gives the greatest insight into the human condition sets aside such "complex characters" and focuses on a character that is in fact more relatable through their lack of combination of good and bad, and focuses on how the react to interesting environments and situations.

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  10. I kind of like the idea of writing an anti-novel. This book would follow some of the same lines that brave new world follows, including the apathy towards the main characters. It would be interesting to see if writing an anti-novel would actually be a more interesting read than a stereotypical novel.

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  11. I think you have a good point about the characters in BNW being bland and one dimensional, but I think that you can have a character that is a jerk/unlikable, while still being multi-dimensional and complex.

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